Wordsworth and Nature (June 11th 2012)

by lizmckinnell

‘Unlike the variegated, intense whirl of cities, the Lake District impressed on the mind just a few permanent objects, but ones that changed subtly with the weather, the seasons and the characteristic activities pursued at different times of year. Instead of meaningless differences, random variety and blank confusion, the setting of life in rural England conveyed a sense of order and permanence, …of change within stable and predictable limits. In this sense Renaissance Platonism lived on in Wordsworth’s poetry, with the Forms now drawn down from the transcendent realm and objectified in rocks, mountains, lakes and forests.’ ~ Lewis and Sandra Hinchman, ‘What We Owe the Romantics’ Environmental Values 16 (2007)I think that there is something in this, although the Platonism connection is a little peculiar. I think that the abandonment of the ‘transcendent realm’ identified here is precisely what distinguishes Wordsworth from the Platonists, and it isn’t at all clear what talk of ‘the Forms’ could mean, beyond talk of form.

I think on the whole what is said about Wordsworth here is dead right though. Personally, I experience this a lot less in dramatic landscapes like the Lake District and the Scottish Highlands, and a lot more in Norfolk, where the flat mercurial watery landscape quietly reflects every subtle change in the big open skies.

The lack of drama in these landscapes took me a while to get used to (I have a tendency to be more Shelley than Byron, more expressionist than impressionist in my rather overblown tastes) but the change in my surrounding landscape is concurrent with the development of my thinking over the past year. The East Anglian landscape, like Wordsworth’s poetry, forces you to be passively attentive to the land, rather than simply to venture into it as some kind of thrill seeker.